Hebdomadal Affinity for Mellifluence

[I don't mean to sound so pretentious with my titles – I just wanted something a little more interesting than "songs that got me through the past week"]

A few days ago, the shamelessly-executed feat of egoism that was being my own publicist and sharing this blog to "the masses" led to the shocking –yet obvious– revelation that I was advertising nothing more than an archive of material, all of which had been written a matter of months ago. The curse of writers' block, in all its ambiguously-perennial glory, has been known to ail me for disconcerting periods of time, and it may well be here to stay until a seriously contrived prompt makes itself apparent and results in prolific bouts of creative writing.

So, in order to compensate for this frustrating situation, and keep my posting on this blog (somewhat) regular, I've decided to voice my preferences in areas about which I am a complete dilettante, i.e. music. Below are a handful of songs that, for the past seven days, I have either found myself repeatedly listening to, tunelessly singing, or pervading my head in the form of incessant loops and dubiously-ascribed lyrics:

1. Dead Sea by The Lumineers



I've only recently started listening to this band, but what little music of theirs I've been exposed to I thoroughly enjoy. Their songs are musically and lyrically simple, but poignant and charismatic nevertheless.

2.Can't Help Falling In Love (Elvis coverby "Fleet Foxes"



Life is full of countless aesthetic pleasures, and the subdued timbre of indie folk music is certainly one of them. I use inverted commas for a reason: the name "Fleet Foxes" is actually the alias created by a group typically known as Fleet Foxes Sing, who have recorded wonderful covers of a number of songs. Said recordings can be found here.


3. England by The National 


To me, The National's music is synonymous with "haunting melodies with equally haunting lyrics, both of which are capable of provoking enough nostalgia to make listening to them more than once a highly masochistic venture."


4. Liarbird by The Growl



For want of a more original statement, I can only describe the singing voice of frontman Cam Avery (who also happens to be the new bassist for Tame Impala, a member of Pond, dubious acquaintance of Alexa Chung's, and general overachiever)  as being "like melted chocolate," a statement I recall reading on Tumblr some time ago. The music video is strangely entertaining too; if I'm not mistaken, the general consensus is that Nick Albrook deserves an Oscar.


5. You're The One That I Want (Grease cover) by Angus and Julia Stone


As if one cover wasn't enough, here's a song that left me rather deluded with the conviction that I had mastered the art of harmonising, or at least singing along to Angus's part. The Australian sister-brother duo hit it out of the park with their acoustic rendition of this classic musical number. I would say that this can only be expected of them, but my prejudice that a less-upbeat version of the song would be unlikely to work rendered me initially skeptical. It goes without saying that their original material is worth a listen too.


6. R U Mine? by Arctic Monkeys


It was a job of terrible indecision trying to discern which song from AM should make it to this playlist (here's a link to the full album anyway). Admittedly, the first few listens AM (or rather the song-by-song leaks) were a little disheartening, as I'm sure was the case for many loyal fans of the Northern four-piece; their sound had undergone stylistic evolution, to a degree that isn't there when you compare their previous albums with each other. They've experimented significantly genres in this album, particularly in numbers such as 'Why D'you Only Call Me When You're High?' and 'Knee Socks', both of which show strong RnB influences. Having said that, I am fully converted as a fan of this album, and for those who aren't quite so convinced, closer listening does provide the occasional, comforting reversion to their former style. The raunchy, distorted guitar part chords, as well as the lyrics and tempo, of 'R U Mine?' are a prime example of this.














The Old Man Visits Solitude - IV

The rain had stopped now, or at least to the point where it only made a sporadic splay of minuscule drops against the windowpane. With fingers shaking and warped with arthritis he opened the door, just wide enough to fit his frail, raincoat-clad body through. There was a silent fear about him as for the first time he was aware of his own dementia. Even I, for all my lack of intuition could tell that I was not wanted in seeing him out. I remained frozen by the seat as my eyes saw him to the door.

He was gone, both indefinitely and never. I clenched my temples with near-fisted hands and gritted my teeth in a bracing grimace, allowing for sharp draughts of air in surging palpitations. Absolute anger forced my eyes shut till they forged wrinkles across my face. They were the inglorious wrinkles of a man aged by his own seclusion and repression, of a man who needs the hand of another to smooth them out, just when he has warded everyone else off.

I felt an unbroken streak of some fifteen years coming to an end; my tear ducts no longer ran dry as anger, grief and remorse in its most ceaseless form flooded the entirety of my face, leaving me frozen in the most incurable, shameful of stupors. With an outlandish swell of romanticism I longed for the far-flung day that my face, without the blatant contortion of self-induced neurosis, could show the fragility of tears and the resilience of a smile all at once, just like my father had mere minutes ago.


For the past 28 years I had been living in a state of perpetual nihilism, using my Oxbridge degree as a lifelong pass to do absolutely nothing with it. I had belittled a past accomplishment whilst using it as the only thing to define myself, giving me the perfect excuse to enhance my snobbery with fancy words and become an armchair critic in the presence of others, bringing up the biggest name-drop in conversation so that they could feel my superiority for me. I was consumed with nothing but the urge to scream, but ultimately immense fear held me back, for I knew that I would either keep the scream inside of me, or hear it in perpetual ricochets around the walls in which I was to live alone.

Fragment

To be the audience to her words meant that you heard every fact she spouted as a contestable lie, and every hope as nothing short of an eventuality.

The Old Man Visits Solitude - III

“Mam always said that my dad was the old romantic of the pair of them. When they met at the dance the music turned slow all of a sudden, and just like that he insisted on spending the rest of his life with her. They were engaged and moving to Dorset before the year was through. They were lucky to get a cheap cottage that backed onto a beautiful farm, but it was also less than a mile from the coast. Everybody said, “Our John must be mad! He’s moved his life away to the coast and decided to make his living joining wood, just like he could’ve done if he’d stayed up north!”

“But Mum still loved him. And just after moving they had started a family. First born was our Maggie, she’s the bossy one, religious too. Would have become a nun if it weren’t for Pete stealing her heart!”

I felt begrudgingly obliged to feign interest in some way, though I knew that I was going to regret asking for the lengthy response that would follow.

“So you were the younger one?”

“Youngest. First was Maggie, then our Ron came along, and three years later to the day I was born.”

Something about the pattern of our dialogue made me dread the obligation to interject. What on earth was I to respond to a family chronology with? (Besides a mirthless, sarcastic grunt of course.) Thankfully, the silence was but a chance for him to take a puff of breath with what little strength his near-obsolete lungs could muster.

“Our Ron, he was ever so quick with sums and such things. He was the sort of smart Alec that all the grown ups had to laugh at, even if they got a little cross at first. I remember one day, when I was only 5 myself, he came home for tea and had the biggest grin you had ever seen on his face. We didn’t even have to ask what happened before he started off his little story. Apparently Doherty, a boy who was ever so slow but came up with the cleverest questions, asked the teacher the most difficult sum he could think of - thirty-nine times thirty-nine (remember, we didn’t have those fancy computer things that you do now!). While the teacher was still facing the wall and counting on her fingers, Ron shot his hand up and shouted the answer. Whoosh!” his left arm mimicked the movement “”One thousand, five hundred and twenty-one, Miss!” he said. It was a good ten minutes before the teacher could say if he was right or not, which of course being our Ron, he was!”

Bloody hell. It really did seem that there is an age you reach where anything goes for a story. What was it with people of his generation that compels them to let us know where the light switch was and the colour of jumper they were wearing the time aunt Mildred severed her thumb with the butter knife? The advent of the photograph must have been such a paradigm shift to these people. As was the bullet point, I’m sure.

“Our Ron,” he muttered with a sighing laugh, “he was the cleverest boy I ever knew. He was wasted in the army. Even as a boy he hated playing with toy soldiers, but played anyway because he knew I’d enjoy it. When he left for his tour, even before we received the telegram six months later, picking up a toy soldier made me think of him out there fi-- fight-- ing. Sorry”

His now pursed lips bore the beginnings of a toothless grin that quivered, and from his glazed eyes began the stream of tears; a humane mixture of grief and acquiesce that graced the sentiments of so many. These were the people who held a mature sense of acquaintance with death.

It had been so long since buying a box that I couldn’t tell if I was in the habit of keeping tissues around the place so I offered him the most dismal of substitutes - a piece of kitchen towel. He graciously accepted.


“It’s an incredible thing you know,” he said, “five!”

“Sorry, ‘five’?”

His face became illumined with a slight start.

“Tom from the bookies was an old friend of my dad’s, originally an apprentice that my dad took under his wing. Though it took less than a month for Dad to realise that the boy would never be a carpenter-joiner. One day Tom walked into the atelier and Dad just stood in front of the bench and said “Young man, to be quite honest with you, if you ever make so much as one pay packet for joining wood in this country then we really have no hope against the Germans.”
“Every Sunday for three years, when the fixtures for the derby were announced, Tom would stop by our house and inform us of them, then come again at the end of the race to tell us who won. He knew that our wireless was broken, you see. We each had a lucky number. Our Ron’s was always five, ours were always prone to change but his was always five.
“Fifteen years after his death, when I had a wife and a son and that son had a brother of his own, I planted a rosebush in the garden, in Ron’s memory like. And every spring exactly five roses would blossom from that bush. Not a single bud more or less. Ever.

“But I grew up for Ron. I found a wife and had kids who have grown up themselves now. And I loved my wife, right up to the very end. I still do, because being sad won’t bring them back now will it? But remembering that you love them keeps them in a special place.”

“When did your wi--”

“Last month. The funeral was just a few days ago. I’m sorry for cutting you off there, I just can’t bear to hear a sentence like that. Not just yet anyway.” Every second word was now punctuated with a sniffle and drying of the eyes. I stood up and tensely grasped the top of my armchair, swilling my brandy a little as I did. It was a deliberate attempt to conceal from the man’s line of vision a black tie, white shirt and suit jacket that still lay draped over a wooden dining chair.

“What about your children?” I said, smiling without the show of malice that I truly felt. “They’re all grown up by now, I presume? You must be very proud of them.”

That simple link between mind and countenance, that kept the former looking so alive suddenly went, as if my question had hacked away at the tangible connection. His face fell featureless in a terrifying display of incompetence. His mouth quivered as if running through all names of the English-speaking variety.

“Their names are John ... Mark ... Sarah, I --”


Before he could continue he saw me. Head bowed down and sighing a mirthless laugh I muttered, then repeated with a near-shouting voice: “You’re wrong. You’re wrong, Dad.”

The Old Man Visits Solitude - II

There were so many days of my life where the need to be alone became near-indomitable.  It was for all these noticed flaws, so flippant of the eloquence we can all achieve with our given minds, and  that crossed my arms for me, pushed me a step or two away from a gathering, rendered my pupil in contact with an open eyelid, exercised the ill-filtered appendage called sarcasm (devoured and cultivated many years ago).

For every raconteur’s tale, for every forced reaction; the need to hide your own neurosis and feign support for the whims of others. For every silence in small-talk, every instance where the chance to say “And how are you?” was lost. For the contemptible need of others to remember the trivial in an audible train of thought that drains minutes from my patience. I was for all of these that I realised I could not be with those who I was supposed to love. Quite willingly, I had confined myself within a cage, the key to which I kept to myself whilst letting others change the outside lock.

Which is why I was surprised when I heard a knock.

The rain pelted down in rattling cascades, and squally winds added a cinematic sort of drama to what should have been a setting positively English with isolated drabness. Like any other summer evening, I lit a fire and hoped that I would one day find it cosy, or have some indomitable command over me that forced a book to open on my lap. It would preferably be a book over which my floundering intellect could flounder some more, but at least I would be able to say that I read it, should anybody ever ask.


Three infirm raps at the door that I first assumed to be the wind came to my attention. I opened the door ajar and saw, amidst an ashen waterproof hood, a shriveled face with features felled by weariness. I’m not sure if it was he who requested it or his facial expression, but for the first time in over 20 years I had a visitor in the house.

The Old Man Visits Solitude - I

“I was born in Nettlecombe, a little farming village in Dorchester. Do you know Dorchester?”

I shook my head.

“My mam and dad moved there after they just met. He met her at the Poplar Grove Town Hall Christmas Dance in 1917. No! It couldn’t have been 1917 because our aunt Maggie was having her baby then so had to take her in the motorcar. Now, my mam knew my dad five years before I was born so it was 1918.”

He looked up at me after keeping his head down for the entire duration of this garrulous display of mental arithmetic. It was clear that I was going to need to sit down if he was staying for any length of time. A minimum of two glasses of brandy would be needed too, if I were going to feign any sense of civility or warmth that I am so innately void of. It seemed only fair to offer him one, particularly if the old man was going to pay the slightest bit of attention to his own story. Maybe the alcohol would help his inevitable autobiography of a monologue take a turn for the amusing, and he’ll tell me about the time he caught sight of the garters on some post-war eye-candy.

“Brandy?” I said. Decades as a near-recluse made me inevitably lose the obligatory “would you like a-” and my outward articulation had gone into such regress that I could easily have been some mono-syllabic Neanderthal - with distilled spirits to offer.

“Ooh, well, I shouldn’t be taking it with my medication and all,” at this point his face lit up with quasi-excitement; eyebrows raised, gossamer lips forming a narrow ‘o’ shape. The only way that I could adequately describe it is if you could imagine that he reserved it specially for when he saw a naughty boy with a bag of pear drops.


“But I will!” His quickly-made verdict rang out with surprising zeal.

Bucket List

The following four words are ones I once swore to refrain from writing on this blog for as long as I could manage:

As seen on my tumblr, this inventory of (ambiguously) imperative demands is what an existence of absolute accomplishment would entail for me. Despite the unavoidably clichéd content (of mine at least), I do consider bucket lists to be an extremely intimate depiction of ourselves. Few things make a person more vulnerable than divulging their definitive aspirations that give greater purpose to their lives to themselves, let alone others.


7 Weeks of Home - When English soil becomes an annual mud bath.


From the age of nine I have been a migrant - part of a family of four that now resides half the world away from the suburban semi-detached house, the town centre, swimming baths and local primary school that formed the centre of our lives for a decade. What was once the occasional utterance or very hypothetically natured conversation swiftly evolved into creaseless trouser suits and a myriad of job fairs in London. The nature of which, from learning about second-hand, I assumed took the format of a round-robin tournament. With a zealous but ultimately unsuccessful attentiveness I tried to digest all the names of countries and schools that my parents would attempt to be offered teaching posts in. My mental image of a black-and-white house in the tropics was surprisingly accurate when I finally encountered one, though the absence of herbaceous vines from which it was supposed to hang did not quite correlate. With a child-like slowness of perception I acknowledged the permutations that could easily be a reality until the day my father made an announcement, the prelude to which was the question "do you like long flights?"

Bouquet

I want to be given
flowers because
it's an act 
of (prosaic) poetry in motion;
a verse that says, "Here,
here is life. It's ephemeral and
often uprooted from its needs, but
if you fetch a 
glass of water, 
it can be with you for a bit. Isn't 
it pretty?"

Sophie Calle


As an intriguing, almost eccentric character whose choice of subject matter and exhibitionism of privacy consistently incites controversy, the study of Sophie Calle and her work is one of unique yet almost simplistic style of documentation where the contents of other people’s lives are the uncompromising muse.

My initial visual reaction to Room 28 was that the theme of the photograph and its topic was somewhat unsophisticated and effortless, and though I was admittedly drawn to it I was unsure of the definite concept and the artist’s intention.  The first few words that spring to mind when I see this piece are “intimacy, personal possessions, and individuality,” and on some level there is an atmosphere of an invasive and obtrusive role bestowed on us as the audience. The images appear quite personal, and the composition of each frame shows a variation of perspective, shape and texture; each providing their own window into a separate aspect of one person’s life.

Side Effects by Woody Allen


Worried? Frantic? Balding? Reach for Side Effects. For trying, middle-of-the-night anguish. When life is passing you buy. Or conspiring against you. Or both. You need Side Effects. When you know that no one loves you and never will. When the cat has eaten your valium and the doctor's answerphone just laughs at you. Take Side Effects and dissolve slowly into helpless hysteria.
Upon wandering around a car boot sale during my latest visit to the UK, which would have been completely guileless had it not been for the sheer novelty of going to a car boot sale, I came across a box of 70s paperbacks whose pricing proved that the owner was desperate to be relieved of them. The bright pink letters of Allen's name showed themselves upon further sifting, and I'm pretty sure that it was out of sheer shock (I was pretty convinced that Woody Allen's work was purely in film and theatre) that I made the purchase. 

For a while the paperback lay untouched in the vast pile of summer reads that failed to be completed as punctually as the label implies, and it was one of the myriad of books that I hauled back to Singapore. I didn't so much as open the pages until the following December, when the blurb's content proved to be of the utmost relevance to my state of mind (note that I did said state of mind, not being. Naturally my youthful -female- hairline is not receding). For the week-or-so leading up to the Christmas holiday these snippets of fiction made for great bedtime companions at the end of a stressful day, as it turns out that the book comprises 17 short stories, most -if not all- of which have been previously published in either The Kenyon ReviewNew Republic or The New Yorker.

As my father once aptly put it, I see Woody Allen as a bit of a kindred spirit. I absolutely love the scope of his (undeniably idiosyncratic) humour; pretentious, neurotic, self-aware, and intellectual to the point where you want to laugh out loud at his jokes for the sole purpose of making it apparent to others just how knowledgable you are. I knew nothing about Side Effects, but I had a great deal of faith in the guarantee of its hilarity, and I was genuinely curious as to how Allen's humour would translate to prose.

"Favourably" would be the answer to appease this curiosity. There is an inherent difference between Woody Allen's story-writing and Woody Allen's screenwriting, but it proves essential to ensure success as a short story. It was apparent in some short stories that Allen had channeled slightly more surreal aspects that his movies do not allow for. On a number of occasions both his style of writing and sense of humour reminded me very much of Douglas Adams, which was an extremely pleasant yet shocking find.

In summary, I have nothing but good things to say about this consolidation of Woody Allen's short stories. Whether you're a fan of his work or not, they're diverse and consistent in their undeniable hilarity. Like it claims to, these fragments of prose make for an excellent bedside companion for whenever you reach a stage of involuntary consciousness in the small hours.